|
|
[Pages 243 - 246]
Translated by Susan Geroe
My mind is clearing slowlyNobody should hold it against me that I had been postponing this meeting for twenty years. Even the most coward of men holds out with all his might against having his hopes extinguished by the certainty of implacable anger. It is not easy to meet the deceased whose authenticity is confirmed by the Here lies engraved in marble or in oak. I, however, am summoned, called upon for a meeting by the dead of uncertain fate, to the Dantesque stage of their incomprehensible trials, by those departed whose stories I heard from strangers and people I knew well, everyone telling me that it is useless and foolish to wait for their return with a warm cooked meal and clean clothes, because - they are dead.
And here the legend ends.
The child clinging to his mother's love,
Realizes now his foolishness.
(Attila Jozsef)
Yet, since I didn't keep watch by their sickbeds, did not escort their coffins to the cemetery, did not place flowers on their graves and did not light candles for them on All Saints Day, it is understandable that I could not acknowledge the fact without reservation.
Today I can confess, that although aside from eyewitnesses whom - God forgive my sin - I doubted as biased companions and looked upon with shock and distrusting shivers as ghosts from another world, there were other attesters to their deaths, such as Thomas Mann and Arthur Miller, George Sempran and Lord Russell, or Adolph Eichmann and Hoess; altogether and in reality, I still did not believe it as final.
Case in point, for many years, on my way home, I was secretly hoping that my father would be sitting there on the steps with his little bundle, waiting for me. I wasn't really offended that he had me wait so long for his return from abroad. If they took him ever so far away from his home against his own will, then he was right to look around the world a bit, I thought. Late as he was, he would come, he should come. Surely we must finish the important conversation interrupted so abruptly and suddenly twenty five years ago, when I last saw him. Even if he is late, he will come, he has to come.
He didn't come. Years were spent waiting and my entire youth went by with those years and he still didn't come.
I could wait no longer. I started out to Auschwitz to meet with the unburied dead, to end the conversation started twenty five years ago.
In the Kattowice hotel, I woke at dawn to bird chirping. By the time our car started out toward Auschwitz, the soft, warm rays of the sun were gilding the surrounding houses, the blooming trees, the fields. I have never seen this landscape. Even though I read exact and detailed descriptions, I could never visualize this region, where very old men and babies, men andwomen were burned under God's open sky in the same way as one burned dry corn husks or wood. People sitting next to me, knew very well this region. They had already been here once before. Twenty four years ago. Then too, it was such a bright sunny day, says someone, but back there one could never see the sun from the smoke.
A few days ago, I was at the funeral of Maria's mother. Relatives and close acquaintances were crying. At the end, everyone went to her, hugged and kissed her. They expressed their condolences, as they say. Not long ago, at the funeral of an elderly actor, when we escorted the coffin to the gravesite, suddenly, from behind the tombstones, spread out on the hillside, Gypsy violins and a contrabass started to play the song Deres mar a hatar... The fascists killed my father, my mother, my siblings, my close and extended family, most of my friends. Nobody said to me Mr. Rappaport, please accept my sincere sympathy.
I am reading the road sign: Oswiecim 3 km. So, another three thousand meters. Tracks. Cold, rusty tracks. So these are those tracks! The wagons which brought them, spread out, ran away. Only the tracks remained put, to recall for all times the summons to reveal the identity of the murderer to the clattering music of the train wheels. I wonder what they were thinking about on this journey? Nobody will ever know.
Strained, wordlessly, we're peering at the sky-line. We are expecting to see the emergence of the ovens and the smoke at the horizon. I am trying to recall the facial features of my father and my little sister. What were they thinking about, what were they saying on this journey? Or, were they holding hands and keeping quiet? I will never find out anything. And suddenly, I ask myself: can I feel completely innocent, to take this very same journey in comfort, freshly shaved andwell dressed?
Birkenau. Here we are. We have to get out. I am afraid to step on the ground... After all, one should not step on the burned ashes of his loved ones. Why dear God, how strange and curious is all this. Was the death factory once here? But this place is so peaceful and quiet, the sky is clear and blue, the grass silky. Well, is it possible that the fields, the sky, and life here be the same as everywhere else in the world? How should it be? I don't know. The ground should be scorched by the vast amount of hot ashes, let's say.
Birds did not become extinct here from smoke?
Well then, let us also go forward nicely. My travel companion, who was a slave here twenty three years ago, says that to the right and left of us stood barracks, and that on this road, where we now step, hundreds of thousands marched to their deaths. Overgrown grass has covered everything. I bend down, and I caress the ground with both of my palms; the grass is velvety soft, delicately tender. How heartless, unmerciful this spring is, how indifferent and forgetful. Only the crooked concrete columns rise petrified, cold and gray from the warm ground. The stiff concrete columns, dressed in twisted cooled off electrically charged barbwire and insulated by buttons from head to toe, stand in the spring sunshine with unappeasable anger. As far as the eye can see, the columns line up gloomily and the sun rays refract on the dull rust of the barbwire the German fascism used to braid and tie up Europe's body. These stones have heart and soul, to be sure. And the power of memory. They did not forget, did not forgive anything.
In a ditch to the right, the grass covered apocalyptic yet trite rotting ruins of the crematorium blown up by fleeing nazis can be seen. In the ditch where they once disposed of ashes, there is no water today, only grass. Grass had overgrown and covered everything. People are kneeling and are searching cautiously for delicate field flowers within the thick turf. Others are searching for their memories; the place where they had last seen their father, where they shot their mother, where they trampled over their children. I don't see anything, only the endless green fields and the silent blue sky. Stone columns and barbwire. So I lift my two arms and I lie over the thick wire net.
Perhaps Arthur Miller was right when he said in this place: nobody who did not die here can ever be innocent.
I am crying. On the stone plaque, the same text in several languages:
The death place of the four million tortured and murdered victims of the Hitlerist evil-doers. 1940-1945.
Gradual terracing. The memorial's sculpture section extends from the ruins of the crematorium all the way to the railroad crossing gate. The tall, black marble wall in the form of the crematoria's chimneys is surrounded by gigantic perpendicular stone groupings. The lines of the stones remind of people who hold their heads up with the last of their strength. On the terrace behind the stone wall, there are hundreds and hundreds of horizontal slabstones of various shapes and sizes. The stones, although without specific lines, seem to express attitudes, personalities, fates and it is almost as if they express opinions. It resembles an apocalyptic cemetery of trampled, crushed beings; small stones are jammed, some pressed close to larger stones, helpless, hopeless stones, stones begging for mercy and forgiveness. Stones that look toward the sky praying and cursing. Stones that are dead and stones that are alive. It is the image of a Roman sarcophagus cemetery, stirred up, devastated by an earthquake. In front of the terrace, where the railroad crossing gate ends, four iron chimneys stare out from the ground; the flames of the fires rise slowly toward the sky. It was somewhere here that doctor Mengele stood, not so long ago, without a gun or a sword, and by a single, gentle, soft, feminine movement of his index finger, called out God.
But let's leave God alone. Perhaps he didn't do, didn't say anything, because he has no hands and has no voice. But the people, the four million people who filed before Mengele on this spot, had hands, has voices, why didn't they say anything, why didn't they do anything?
It looks as if here, by the railroad crossing gate, it was too late to say or do anything. It should have been done earlier, because the least bit of reconciliation, compromise with the tyrants, despotism and force, always starts with the hardly perceivably, with indifference, and it ends unavoidably, implacably with Auschwitz.
Auschwitz. Now, I have seen everything with my own eyes. There is no longer any hope, everything is true as the stories were told, as they were written. The grass here had not gown as it did in Birkenau, it had not covered anything. Here, everything stands steadfast and still, as it did on the day of creation. The landscape is no longer idyllic and it does not resemble the sight of a May Day celebration. Silently, with our heads hanging, we stand in front of the glass walls and we take in everything, but even here one can't comprehend by way of reason. Thousands of eyeglasses. Mountains of hair; black and blond, red and gray, curly and straight hair. Blankets made of hair. In one window, braids of girls and very little girls. I take a step closer, perhaps I can recognize, discover a familiar braid. A mountain of shoes. Shoes of all forms and sizes. Worn down shoes of beggars and patent leather shoes of the rich, stiff boots of soldiers and children's soft slippers, high hills and flat shoes. Shoes that came here from every corner of Europe. Crutches. Wooden prosthetic legs and hands. Artificial limbs of the lame, crippled, disabled. If these artificial legs were to set out marching in the world, if these shoes were to move and head out to find their lost legs!
'And the Lord spoke to Cain: Where is thy brother Abel? And he answered: I don't know. Am I my brother's keeper? And said the Lord: Your brother's blood calls to me from the ground.' Foolishness. Nobody said anything. The Lord did not ask, and Cain is hiding out in the jungles of Paraguay. But who is singing here? I'm going in the direction of the sound. I descend a few steps. Hardly anything is visible from the smoke, from the smoke of the candles. Nothing is visible, except the oven's open mouth, because the steel body of the crematorium is covered from top to bottom by thick layers of melted candle wax. Even now, candles are burning by the thousands. A short man with gray hair stands really close to the door of the oven and prays before the open steel mouth which has already swallowed hundreds and thousands of people, as if it were some kind of altar. 'Praised be the Lord, Master of the Universe...May His name be always sanctified.' Well, this is not the most likely place to sanctify the name of the Lord, to be sure. Here, in this place, let's admit openly, the Lord did not behave quite as it was expected of Him. No matter. I flee from here. It was enough. It was enough for a whole lifetime. I am running towards the gate. But it sounds as if someone yells after me, or is it my imagination? Yes, it is my imagination, that near the fence, my father sits on a bench by a poplar tree, quietly, calmly, a little pale, as if he were convalescing. It is strange that in twenty five years he did not age. It seems that the dead don't get any older. 'Father', I say, 'forgive me, I can't cry, I can't pray for you, for you all. I know well you were observant, but here I can't praise or sanctify the Lord.'
| He: | You need not pray, my son. |
| I: | Then, what can I do for you all? |
| He: | You don't have to do anything for us. Whatever you do, it has to be done for the living. We should have lived differently and died differently. |
| I: | Then, what can I do for you all? |
| He: | Man should rise while he is alive, for when he is dead, it is too late. You see, when I was young, they taught me that God was also respectful of his own laws, to give the right example to mankind. Well then, why did He not respect his own laws? He commanded us not to kill the cow and her calf on the same day. How many mothers were killed on the same day with their own children? Why did He not observe the law? He commanded us not to stand with wide open mouth and hands in our laps on the banks if we see a man drowning in the river. How many from among his creations drowned in Europe's bloodied rivers and He stood on the banks with his hands in his lap? Why did He not observe the law? He commanded us to help if we saw a man on the road fall down and break his back from the load he carried. How many from among his creations fell and broke their backs under the insupportable burden on the roads of this world and He did not help any of them? Why did he not obey the law? He commanded us to love our neighbors as we love ourselves. Very nice, very useful. Well, why did he not respect this law? Why I was his best, his closest friend, from my first cry to my last sigh. Why did he not obey the law? He abandoned me in my most difficult hour. He turned his back to me in the most pressing of circumstances. |
It was getting dark. Slowly, quietly, we head towards the gate. Nobody looks back. In the far corner of the sky, a dim star is visible. Perhaps, the sign of hope, that man is not yet completely alone.
|
|
JewishGen, Inc. makes no representations regarding the accuracy of the translation. The reader may wish to refer to the original material for verification. JewishGen is not responsible for inaccuracies or omissions in the original work and cannot rewrite or edit the text to correct inaccuracies and/or omissions. Our mission is to produce a translation of the original work and we cannot verify the accuracy of statements or alter facts cited.
Oradea, Romania
Yizkor Book Project
JewishGen Home Page
Copyright © 1999-2009 by JewishGen, Inc.
Updated 8 Jul 2008 by LA